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Snippet
We
may
formulate
the
general
principle
that
the
tempo
is
correct
when
the
details
and
the
ensemble
are
equally
perceptible
and
equally
effective.
We
must
remember
that
the
hearer
who
is
listening
to
a
work
of
Bach's
for
the
first
time
often
feels
a
moderate
tempo
to
be
a
quick
one,
if
the
modulations
are
very
rich
and
the
contrapuntal
writing
very
complicated.
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